“Ise Oluwa… Ko Le Baje o” is one of the most iconic Yoruba gospel hymns in Nigerian Christian history. Deeply rooted in faith and cultural expression, the song translates to “The work of the Lord cannot be destroyed.” It is a simple, powerful declaration of God’s unshakable purpose, often sung with heartfelt conviction in churches, schools, and community gatherings across southwestern Nigeria and beyond.
Origin and Legacy
While the hymn itself is believed to be traditional—its exact authorship unclear—it was Rev. Josiah Jesse Ransome-Kuti who first brought it to national and international recognition. A pioneering clergyman, educator, and composer, Rev. Ransome-Kuti is credited with Africanizing Christian worship music, blending western hymnal structure with Yoruba language, rhythm, and emotion.
“Ise Oluwa… Ko Le Baje o” stands as a hallmark of his work in this regard. His use of Yoruba lyrics made Christianity more accessible to local worshippers, encouraging personal connection to the gospel. His efforts helped shift the perception of Christianity as a foreign religion to one that could be authentically African and spiritually intimate.
Musical Influence
The hymn is often performed a cappella or with minimal instrumentation, highlighting its meditative and communal qualities. The repetitive refrain reinforces the message of divine assurance and unwavering faith. Over the years, the song has been rearranged by Nigerian composers like T.K. Ekundayo Phillips, and continues to be included in church hymnals and choir repertoires.
It is also frequently used at significant moments—funerals, national prayers, protests, and revival services—as a song of hope, perseverance, and collective faith.
Rev. Ransome-Kuti’s Broader Contribution
Rev. J.J. Ransome-Kuti was the first Nigerian to have his hymns recorded on vinyl in London (Zonophone Records, 1925), a major historical milestone. His commitment to indigenizing church music paved the way for a uniquely Nigerian gospel tradition, influencing later generations of musicians and church leaders.
His legacy lives not only through songs like “Ise Oluwa” but also through his distinguished family line, which includes national icons such as Funmilayo Ransome-Kuti, Fela Kuti, and Prof. Wole Soyinka—all of whom, in their own ways, stood for truth, justice, and cultural pride.
Conclusion
“Ise Oluwa… Ko Le Baje o” is more than a song—it is a spiritual anchor. Through Rev. J.J. Ransome-Kuti’s voice and vision, it has become an enduring symbol of faith in God’s eternal purpose, a reminder that no matter the storm, the work of the Lord will never be destroyed.
Reference: Zonophone 3396
Rev. J.J. Ransome-Kuti {Piano Mme Adami}
- a. ISE OLUWA KO LE BAJE {THE LORD’S WORK IS INDESTRUETIBLE} Yoruba (Sacred song with piano)
b. AYO NI PARADISE {JOY IN PARADISE} Yoruba (Sacred song with piano)
X-4-42425 [Bb1491-1] {16-06-1922} - A O GBA ADE OGO {WE SHALL RECEIVE CROWNS OF GLORY} Yoruba
(Sacred song with piano) X-4-42426 [Bb1492-1] {16-06-1922}
Listen to the Song – Credit to Lagos City Chorale